Musings on the Most Ridiculous Band I Can't Stop Listening To

Tag: motley crue

Shout At The Devil

  • Hey!
  • Devil!
  • Dude!
  • You left your change on the counter!
  • Devil!
  • Why’d you kill the czar and his ministers!?

You promised that there would be no more Mötley.

I also noted that most of my promises are lies.

No one wants any more of Mötley. Stop it. Get back to P-Funk or–and this is a wild idea–the Dead, whom this website is purportedly about.

Sure. Can I show the nice people some Terrible Crüe Art first?

How terrible is it?

Oofah.

I told you.

That’s a classy frame.

Oh, yeah.

Thoughts On The Dirt

  • This is not Thoughts on Mötley Crüe.
  • I do not have many thoughts about Mötley Crüe, other than “How the fuck are all four of them still alive and Tom Petty is dead?”
  • Nikki Sixx literally died a couple times, but God apparently did not want him and kept sending him back to Earth, maybe so Nikki could take bass lessons.
  • Other of TotD’s TöMC include (but are not limited to):
    • Every music writer that’s been forced to pump out 1,000 words about these fleabags would like to kick the shit out of them for those umlauts; there’s, like, 19 buttons I have to hit to get their name right, and they’re just not worth it.
    • Motörhead?
    • Worth the trouble.
    • Not the fucking Crüe.
    • Musically, they may have been the cream of Hair Metal’s crop tops, and that is not a compliment for them as much as it is an indictment against the entire genre.
    • Am I defending Mötley?
    • Yeah, kinda, in context.
    • Who were their peers?
    • Poison?
    • Warrant?
    • Jesse James Dupree and his brothers in Jackyl?
    • Here is the proper analogy: imagine that tomorrow morning you wake to find that someone has broken into your house and shit on the floor.
    • This is a terrible event.
    • BUT there are levels of horror.
    • Maybe it’s a tightly-compacted turd, tapered at each end, and curled up like a doodysnake.
    • Traumatic, yes, but easily cleaned up.
    • What if it’s goopier and evidenced of a weird and possibly foreign diet, and has spread out in a two-foot radius like cafeteria chili unrestrained by a tray?
    • That’s worse than the neat turd, right?
    • And then there’s diarrhea.
    • We can all agree that–while of course our preference would be to have no strangers befouling our homes in the middle of the night–if the shit’s simply gotta be there, then you’d choose the polite log over the steamy, liquid, bright tan, corn-and-berry-speckled shit dripping from the walls and lamps and portraits of your family?
    • That’s Mötley; they’re the manageable coil.
  • And those were TotD’s Thoughts on Mötley Crüe.
  • Now we come to The Dirt, and my primary thought is this one: I will commit violence to prevent this from happening to the Grateful Dead.
  • Please, Lord, never make me watch a scene featuring some actor asshole in a bad Bobby wig looking up at a clearly CG Wall of Sound and saying to a fat actor asshole in a bad Garcia wig, “It’s, like, a whole wall of sound, man.”
  • And then the fat asshole in the wig goes, “Say that again, man.”
  • I can’t take that shit, and yet I know it’s coming.
  • Amazon still owns the rights to Parish’s book, and him and Bobby are still producing a biopic over there.
  • Last I heard of it was two years ago when they named a writer (who wasn’t me and therefore will fuck it up), but I guaranfuckingtee that there are emails and phone calls about “the Dead project” going on right now in Amazon’s LA offices.
  • This is how I picture it:
  • GUY WAVING BIG CIGAR AROUND NOISE
  • “Get me Rock Stars! Netflix got Rock Stars! Where’s ours? They got those, whattyacallits, Molly Cruisers over there. They wear lipstick! Men wearing lipstick! It’s outrageous! What do we own?”
  • “The Grateful What? I don’t care, just make sure there’s tits and cocaine. PUT THE COCAINE ON THE TITS! Get it into production. Hire Felicity Huffman; we can get her for cheap.”
  • That’s probably not how it’s happening, but I have fun imagining scenarios and sharing them with you.
  • The Dirt: it’s better than Bohemian Rhapsody.
  • Except for the soundtrack and the wigs.
  • The hairpieces in The Dirt are so bad you start wondering if it’s a post-modern nod to the inherently artificial nature of such movies.
  • Are they wigs, or are they “wigs?”
  • Signifier or signified?
  • Did you just work Saussure into your bullshit about Mötley Crüe?
  • I did.
  • Well done.
  • This is what the movie said the band looked like:
  • You are Fake Crües.
  • (Though not evident in this photo, the Vince Guy looks exactly like Dana Carvey as Wayne; also, the Mick Guy looks just like Nathan Explosion from Metalocalypse. The Tommy Guy and the Nikki Guy just look like tall dudes in cheap wigs. I will give the film bonus points as it did find a Heather Locklear Girl who actually looked like Heather Locklear. For a second, I thought that perhaps the producers had hired the real Locklear and used that creepy de-aging technology from the Marvel movies.)
  • Anyway, the film’s based on a book Mötley dictated to the guy who invented the Pickup Artist community; it came out in 2001, when their shenanigans were still cheeky fun.
  • Nikki confesses to several rapes in the book.
  • Tommy beats many women.
  • Vince straight-up kills a guy.
  • You know: wacky Rock Star behavior.
  • (Mick, whom the movie portrays as a curmudgeonly, Fred Mertz-like character, was the only one of them who wasn’t a complete piece of shit. He was/is a mentally ill drunkard, but the man could behave in public like a human being.)
  • While doing press for the film, Nikki disavowed the book.
  • Which makes him and Charles Barkley the only people to call their own autobiographies lies.
  • You also get all the Mötley Crüe you know and love.
  • There’s:
    • Ozzy and Nikki having a gross-out contest that ends in Ozzy licking up Nikki’s fresh piss.
    • Nikki OD’ing being Uma Thurman’d back to life, only to immediately go home and OD again.
    • A great deal of punching.
    • Tommy throwing up on strange women while wearing a leather thing and Converse sneakers.
    • Nikki passing out at Tommy’s wedding to Heather Locklear. (Which was a sad and tacky encore to Keith passing out at Mick’s wedding to Bianca. The first time as tragedy, the second time as farce.
    • And much, much more!
  • They leave out the part where Tommy beats the shit out of Pamela Anderson on multiple occasions and gets chucked in county for six months, and all of Nikki’s marriages, and how fat Vince got.
  • Wanna see something funny?
  • Look at this:
  • Now look at this:
  • Jesus.
  • Never get old, kids.

Same Old Song And Dance

Oh, God.

I may have been listening to Hair Metal all day.

You’re as predictable as a one-sided coin.

There’s no such thing as a one-sided coin.

Sure there is. Moldania. Their banknotes are Möbius strips, and their coins are Klein bottles.

Not true.

Oh, yeah. Makes the coin toss at the beginning of football games kinda complicated.

Am I through being chastised and lied to?

Depends. Are you going to bother the nice people?

In what way? Because I am going to bother them. I’m gonna concentrate on the most pointless topics, and specifically on the irrelevant details of those pointless topics, and I’m gonna do it in long, windy sentences packed with neologistic buffoonery and self-referentializing, such as remarking that the word “windy” works with both pronunciations. I’m bothersome, brother.

You’re the worst.

Bill Simmons is the worst.

You’re the second-worst.

Fine.

Thoughts On Hair Metal

Everyone doesn’t need to know everything. Faust learned that the hard way. The kids today have an expression: stay in your lane, and Grateful Dead archivist David Lemieux does so. He knows the Dead, all the fauna in a hundred-mile radius around his home, the rules of icing, and that’s it. History of the Japanese code of bushido and its allegories to the Western code of chivalry? David cannot speak with authority on this matter, although he has viewed movies featuring both samurai and knights. Chemical makeup of a supermassive black hole?

“Well, there’s just a whole bunch of nothin’ in there, eh?”

That is not the right answer, but I do not blame our northern friend. That what one doesn’t know will vastly outweigh the sum of one’s knowledge is a common tragedy. I don’t know what’s in a black hole, either. Perhaps nougat. Maybe black holes are delicious. Again: I don’t know, so I cannot help David.

HOWEVER, DL recently copped to complete ignorance of Hair Metal and that means it’s TotD’s time to shine. So, sit back, David (and the rest of you who give a shit) and journey back to a mythical time called the Eighties and a legendary street known as the Sunset Strip.

A Quick and Dirty Guide to Hair Metal

We begin by defining our terms, and useful in this task is approaching it from the negative side. Hair Metal is NOT:

  • Actual metal. (You know that TotD despises gatekeeping and the whole “this is real XXX and this isn’t,” there is absolutely a delineation to be made between real metal bands and poofy-topped sissy-boys covering Brownsville Station. Real metal bands, for example, wore jeans. Hair Metal bands wore leather or spandex trousers; if dungarees were worn, they were generally topped with chaps.)
  • Glam rock. (Are you a citizen or a subject? Because glam rockers were British. Hair Metal can be read as the cracked-mirror American version of glam, but it ain’t glam rock because glam rock requires camp, which was in short-ish supply in, say, Ratt’s rehearsal space.)

So what is Hair Metal? Well, some folks say it started in Max’s Kansas City when the New York Dolls first put on makeup, and others say you can blame Marc Bolan, but the problem started in backyards in 1970’s Pasadena. Nightclubs in Los Angeles–most of the country–had live music most nights, but they demanded cover tunes. Drinkers wanted to listen and dance to the big radio hits of the day, and all those golden oldies, and they wanted four or five sets a night. Two Dutch immigrants, a loudmouthed Jew, and a Polish bass player didn’t cotton to the regulations: they wanted to play their original music (and a lot of Kinks covers) for one show and then get blowjobs. At first, their name was Mammoth but the lead singer convinced the two brothers that their last name had a bitchin’ ring to it, and the band was rechristened Van Halen.

Now, Van Halen was not a Hair Metal band, but they spawned multitudes; it’s like how Christ wasn’t a Christian. After the mighty Van Halen signed a record deal and moved to their new Fat City addresses, groups popped up like mushrooms that were wearing too much eye makeup, all imitating VH’s already-stolen shtick. (The birth of the Golden God/Guitar Hero dyad is credited by some to Led Zeppelin, but a strong case could be made for The Who. Also: David Lee Roth directly copped his whole routine from a guy named Jim Dandy in a band called Black Oak Arkansas.) Some bands had five members; these aped Aerosmith.

Let’s move outwards and upwards and put events into context: at this point in the early 80’s, the Steakheads were not being catered to. The ones that would have bought a Zeppelin record had it been available. The KISS Army. That sea of blue jeans from Englishtown. Dumb teen boys, basically. The smart kids had their books and their Elvis Costello albums, and the stoner kids had the Dead, and the girls had Madonna, but there were vast fields teeming with acne-laden morons who wanted loud guitars, plentiful drums, and to be told two things:

  1. They were winners.
  2. Due to their winning, pussy would be made available.

The Clash was certainly not going to tell the Steakheads that, nor were any of these so-called “New Wave” bands from England, most of which–let’s be honest–were queer as hell. The record labels had all given up on anyone ever caring about punk music, and so were rooting around for the next big thing. Coincidentally, the performance spaces on the Sunset Strip–the Starwood and the Whiskey and Gazzara’s–had also given up on punk music. Unlike their New York or DC counterparts, LA punks always included a performative aspect to their shows, such as “setting the stage on fire” or “hurling lightbulbs at audience members’ faces,” and club owners had had enough of the bullshit. So: just as the bands needed places to play, and the record companies needed places to see the bands, venues opened up.

A scene emerged quickly, along with a uniform. In one of Hair Metal’s many interior contradiction, the look was as unisex as the culture was not. Everybody looked like this:

The women looked like that, too, but with bigger tits. Women could also wear skirts, but men were confined to kilts (but only when paired with a catcher’s chest pad).

For all the androgynous looks, though, the Hair Metal scene was ruthlessly misogynistic. There were no bands of mixed gender–chicks could sing backup, but they had to be hot–and only one mainstream lady group, Vixen, but they were treated as even more of a novelty than Stryper, who were a Christian Hair Metal band and sang songs like To Hell With The Devil and dressed up like perverted bumblebees. I’m not making that up.

Did you think I was making it up? They also used to chuck Bibles at the audience. These men were laughingstocks.

These men, on the other hand…

…were the princes of the scene. Mötley Crüe were the biggest Hair Metal band of all: they wore the leatheriest leather, and their lead singer looked like Marianne Faithful, and they may or may not have worshipped the devil but sure did talk about him a lot, and the bass player would set himself on fire to distract from the fact he couldn’t play all that well, and their drummer had Big Dick Energy, and their guitarist was present, and Mötley did ALL the drugs; they did so many drugs that someone in a completely different band died. That is some high-level Rock Starring right there.

You may be wondering at this point why I haven’t been playing you any of the music. It’s because it’s bad. Even the good stuff is dreck. Mötley Crüe? They were maybe the best of the Hair Metal bands and they had–in total–a half-dozen listenable tunes. Quality dropped precipitously after them: there was Poison, and aprez-poisson, le deluge du merde. You had tedious, bewigged Dokken, and L.A. Guns hanging around like a ditched prom date, and ugly, chubby W.A.S.P. , and born followers Warrant, and self-destructive Quiet Riot, and career men Bon Jovi. Those were the stars! I haven’t even gotten to the also-rans!

Great White, and Whitesnake, and White Lion, and Black & Blue, and Blue Murder; Danger Danger, Bang Tango, Tora Tora, and Enuff Z’nuff; London, Saigon Kick, Europe, There were bands led by guitarists thrown out of other bands, like the Vinnie Vincent Invasion or Jake E. Lee’s Badlands, and there was a band made up of musicians thrown out of the Vinnie Vincent Invasion, Slaughter.

And Britny Fox. Wanna understand Hair Metal? Here you go:

It’s got everything; this video is Hair Metal broken into its essential amino acids. There’s:

  • Steven Tyler’s non-union Mexican equivalent.
  • A gray world of drudgery being brought to life by the power of Rock and Roll. (This was an omnipresent trope in HM music videos. Bands were always bursting into classrooms and teenage bedrooms to liberate them.)
  • Cowboy boots worn on the outside of leather trousers.
  • A cartoonish authority figure being petard-hoisted.
  • The drummer does drumstick tricks.
  • Guitar solo featuring that Eddie Van Halen tippity-tap bullshit.
  • Coiffures.
  • Bouffants.
  • These boys done got their hair did.
  • Look at this bullshit:
  • Hair’s not supposed to do that, no matter what ethnicity you are.
  • Chewbacca has less volume than that.
  • And this isn’t “long hair.”
  • “Long hair” is when you stop going to the barber and let the chips fall as they may.
  • This hair got did.
  • There were strategic decisions about bangs and layering.
  • They meant for it to look like that.
  • Can’t be Hair Metal without hair, now can it?

1983 to 1992, that was it for Hair Metal and the Sunset Strip and all those boys in their spandex and mascara. Quiet Riot’s first album went to #1 in 1983, and in 1992?

And it turns out if you’re dressed like this…

…you look like a complete asshole standing next to the guy in the cardigan. The thing about wearing a costume is that everyone else needs to be, too, or you just look silly, and silly is the worst thing a manly man can be. Hair Metal disappeared overnight. The music-buying public had moved on from junkies in spandex to junkies in flannel. The bands in Seattle were authentic, or at least inarticulate in a way that read as authentic, and so Rolling Stone and the record companies bought rain jackets and flew up north to sign everyone and his brother just the same way they had on the Strip.

And we left it there in the past, everyone but Chuck Klosterman, a slightly shameful Rock and Roll detour. Prog Rock was embarrassing, sure, but at least the guys could play. Same with Fusion. All that synth shit still sounds dated, but there were melodies: Don’t You Want Me by the Human League is catchier than any number of HM band’s entire catalogs put together. But Hair Metal? No cloaked figure leaves a bottle of brandy on its grave each year; it’s remembered more for the satire it produced–Spinal Tap, among others–than the actual music. Not even fit to be used ironically.

But maybe it was music for dreamers, dreamers with hearts of gold. Kids who had to run away high, so they wouldn’t come home low. Could be it was for folks with hearts like open books for the whole world to read. Little something to keep ’em together at the seams.

https://www.youtube.com/watch?v=3WAZ60xA9wo

And maybe one day it will return home.

What Happened To The Drapes?

It a started with a big bang, and shall end with a small, sad whimper. All things die and unless you are, say, raped to death by clowns, the only thing you can control about your end is the dignity you face it with. (There’s simply no upper lip stiff enough to face a death of lethal, unwanted penetration by a small automobile* full of greasepainted carnies.)

Dignity above all things, my fellow Enthusiasts. This is the byword and why–in the terms of the Dead-things could have been so, so much worse.

crue vince fat

 

* As you must know: the smaller the car, the more clowns it contains. It can be described mathematically using an inverse asymptote or the equation E=MC^pieintheface. Of course, this implies that a car that doesn’t exist contains infinite clowns, so you probably shouldn’t think about it too hard.