EXT: “WINTERLAND” – NIGHT
OPEN with a DISTRACTINGLY SHOW-OFFY ESTABLISHING SHOT. There are EXTRAS IN COSTUME everywhere.
People are taking DRUGS, which the camera FETISHIZES.
We find our hero, a MACHO GUY WHO LIVES BY HIS OWN CODE WHOM MARTIN SCORSESE WANTS TO FUCK, doing COCAINE out in open, because he is SO MACHO.
He walks up to TWO STONE-COLD TEEN FOXES with BIG TITS and gives them his business card.
C/U on the CARD. It reads “MACHO SCUNGILLI, PASTICHE RECORDS.”
The foxes are IMPRESSED and show him their TITS because we are on PAY CABLE.
MACHO
Ooh. I do like them titties, girls. But not as much as I love
rock and roll music. And cocaine. And leather blazers. Also, I’m
married, which will be a boring sub-plot.
Macho ENTERS “Winterland” (which is not referred to by name due to rights issues).
INT: “WINTERLAND”
We FOLLOW Macho on the SIGNATURE SCORSESE TRACKING SHOT through “Winterland.”
MUSIC CUE: STUDIO GUYS HALF-ASSING THROUGH A GRATEFUL DEAD SOUND-A-LIKE SONG
On the STAGE is the GRATEFUL DEAD, all of whom are played by MICK JAGGER’S SON.
MACHO
Dig that crazy sound! What these guys need is a
little push from Pastiche Records! They’re jamming
so hard that the place might collapse!
EXT: “WINTERLAND”
The building COLLAPSES.
Macho RISES from the rubble like AMERICAN JESUS and SNORTS ALL THE COCAINE.
MUSIC CUE: SOMETHING BY THE ROLLING STONES.
I don’t even have a followup joke here, that was too on point
What Completely said….